A rectangular tobacco pouch of black cotton-and-linen cloth, embroidered in fallahi cross-stitch with geometric and plant motifs. The embroidery is worked predominantly in red silk thread, with purple, pink, green, and other colours. Dense embroidery covers the back, while blue, red, and white beads edge the pouch and embellish the upper front. Four coins are fixed to the front, and five silk tassels tipped with white beads hang from the sides and lower edge.
Jalaya (overcoat) thobe from the Akka region made from linen, it is open from the top of the chest panel to the bottom of the thobe. This thobe is distinguished by its minimal tatreez (embroidery). The tatreez it does have is comprised of silk threads in straight lines from top to bottom. The chest panel of the thobe is made of Ottoman cloth used in making a man’s qumbaz (coat), and on its open edges is crochet knitting in orange and red colours.
A high-heeled wooden qubqab (clog), carved and inlaid with seashells. It was used for going to the Turkish Bath.
A taqsireh (short-sleeved jacket) from the town of Dura in the Hebron area, made of black cotton and embroidered with predominantly red silk thread. It is lined with cotton. Dense floral embroidery in fallahi cross-stitch covers the front and back panels, sleeves, and shoulders, including rose-stem and cypress motifs. The rear rudha (upper back neckline) features embroidered figures of children.
A rectangular tobacco pouch of beige cotton-and-linen cloth, embroidered in fallahi cross-stitch with geometric and plant motifs, worked mainly in red silk with touches of yellow, blue, green, and other colours. Pink beads and short silk tassels trim the sides and lower edge.
An Isdud wedding thobe (dress) from the Gaza area made of black handmade linen dyed with indigo stitched with a Fallahi (peasant) cross stitch made of predominately red silk thread overlapping with yellow, pink, orange, and blue. The chest panel of the thobe is triangular and embroidered with squares arranged in a triangle and surrounded by cypress etchings from above and below. Plant and geometric shapes are embroidered from the shoulders of the thobe to the end of the sleeves, ending with a cypress stitch pattern.
A Bedouin belt made of multicoloured woollen cords in black, red, fuchsia, indigo, and other colours, decorated with feathers.
A square buqja (wrapping cloth) of purple velvet, embroidered in tahriri couching with plant motifs worked in gilt thread. The gilt-thread work, known as sirma, is embellished with sequins. The buqja was used to wrap and carry a bride’s bath necessities.
A white Rumi thobe (dress) from the Ramallah area made of handmade natural linen fabric and embroidered with the Fallahi (peasant) cross stitch made with predominately red silk threads. The chest panel of the thobe is embroidered with geometric, plant, and animal shapes, among them the rooster motif as seen in the middle. This rooster motif carries religious significance for Christians. The sleeves bear several plant stitch patterns to their ends, with the rooster motif in the middle.
A sirwal (also shirwal), a pair of loose black cotton trousers gathered into an elasticated waist and tapering towards the ankles. The lower part of each leg is embroidered with plant and geometric motifs in red, orange, blue, green, and white silk thread.