The Palestinian Museum permanent collection

No More School After Today

A poster entitled 'No More School After Today' issued by the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) between 1980-85. The poster shows a photo of two Palestinian children's corpses which were found under the rubble. On it in English is written 'No more school for some Palestine refugee children ever. But UNRWA schools are working to help the luckier ones.'

Unity of Blood

This poster entitled 'Unity of Blood' features 1980 artwork by the artist Yousef Hammo. It was issued by the Unified Information Office of the Palestine Liberation Organisation (PLO) in 1982.

Down with the Occupation

This poster by the artist Ruth Schloss was part of the 'Down with the Occupation' exhibition held in 1987 by the Association of Artists for Freedom of Expression in the El-Hakawati Theatre in Jerusalem to mark 20 years since the 1967 occupation of the West Bank. The exhibition included posters by Palestinian and Israeli artists.

Down with the Occupation 1987

This poster by the artist Reuven Zahavi was part of the 'Down with the Occupation' exhibition held in 1987 by the Association of Artists for Freedom of Expression in the El-Hakawati Theatre in Jerusalem to mark 20 years since the 1967 occupation of the West Bank. The exhibition included posters by Palestinian and Israeli artists.

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Sultan bin Fahad works with painting and sculpture. A self-taught artist, bin Fahad’s imposing abstract paintings are made with thick strokes of paint, sand, pearl, mica flakes, and powdered glass. Inspired by spirituality as well as the material culture of Mecca in his native Saudi Arabia, this line of inquiry has inspired bin Fahad to imagine his own language for a contemporary yet critical Islamic art. Themes central to his artistic practice revolve around repetition, sound and movement, using symbols that derive from Islam: the five daily prayers, Hajj (pilgrimage) and the Kaaba.

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Vera Tamari is an artist, curator, contemporary art historian, and educator. Nature and the rich and complex lived history of Palestine are dominant themes in her multidisciplinary artistic practice. Tamari’s works come from the perspective of her personal encounters with the landscape of Palestine, one that is both filled with awe at the complexity of the land, its ancient olive trees, cacti and rolling hills, but also the brutal occupation of it.