"Poems from the Eyes of a Woman" poetry collection by Ali Foda in its first edition. The collection was published in January 1973 by Editions Oueidat in Beirut, Lebanon and is 108 pages long. This copy was dedicated to Raghda Fouda and her husband Jawad Shahin on 28/10/1973.
You can view the book through this link.
This poster entitled '30 March the Day of the Land' was issued by the Unified Information Office of the Palestinian Liberation Organisation (PLO) to commemorate Land Day in 1986.
A poster for the 13th World Festival of Youth and Students which was held in Pyongyang, then the Democratic People's Republic of Korea (DPRK). It was issued by the Palestinian Preparatory Committee for the festival. The Museum collection has one duplicate available of this poster.
Sultan bin Fahad works with painting and sculpture. A self-taught artist, bin Fahad’s imposing abstract paintings are made with thick strokes of paint, sand, pearl, mica flakes, and powdered glass. Inspired by spirituality as well as the material culture of Mecca in his native Saudi Arabia, this line of inquiry has inspired bin Fahad to imagine his own language for a contemporary yet critical Islamic art. Themes central to his artistic practice revolve around repetition, sound and movement, using symbols that derive from Islam: the five daily prayers, Hajj (pilgrimage) and the Kaaba.
Vera Tamari is an artist, curator, contemporary art historian, and educator. Nature and the rich and complex lived history of Palestine are dominant themes in her multidisciplinary artistic practice. Tamari’s works come from the perspective of her personal encounters with the landscape of Palestine, one that is both filled with awe at the complexity of the land, its ancient olive trees, cacti and rolling hills, but also the brutal occupation of it.